blog With it being so old, designers have done iteration after iteration of this famed font, making it the versatile beauty it is today. ( Log Out / Moreover, The Palatina Library, where Bodoni’s valuable collection was kept, was partially destroyed by bombing in 1944. google_color_url = "800000"; Momenti della cerimonia inaugurale del Museo (17 Novembre 1963). site home (though why even utilitarianism should use illegible types, I fail to Duke of Parma.
“Bodoni: The History of Being Awesome.” ifoundmedinosaurs (wordpress blog). Advances in printing technology during the late eighteenth century allowed Bodoni to design letterforms with higher contrast between thick and thin strokes, and crisp horizontal serifs. Once a legal recognition and statutory approval (Italian Presidential Decree of 18 July 1962) were obtained, the new museum finally opened to the public on 17 November 1963. In order to achieve its aims, the Foundation sets it sights on promoting debates, conferences, research and study projects, seminaries, reviews, meetings, exhibitions, didactic initiatives in the field of the history of the book and the art of printing and graphics, carry out editorial activities to divulge scientific research, promote study grants, insitutue a prize dedicated to Bodoni and support restoration projects. Giambattista Bodoni was an Italian graphic designer and typographer. It has a classic and fashionable feel to it, classic because of the traditional serifed roman letterform, and fashionable because of the geometric and light feel from the contrast. Indeed, at the first board meeting there were representatives from; Province and Comune of Parma, Chamber of Commerce, Industrial Union of Parma, Provincial Tourist Board, Academy of Fine Art of Parma, National Historical Deputation for the Province of Parma, National Institution for Professional Graphics Studies, etc… Created under the auspices of the Palatina Library, the Foundation, a not-for-profit organisation subject to private law, has the aim of promoting the figure of the typographer Giambattista Bodoni (1740-1813), whose activity was based in Parma, and thus to promote the Bodoni collections (printing and smelting materials, publications, correspondence and much else besides), possessed and conserved by the Palatina Library, now part of the Complesso Monumentale della Pilota. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. History. However, Bodoni took said ideas to the next level by creating even more contrast between the thick and thin strokes, making letters more vertical, and greatly condensing width more than Baskerville had ever done.
The increased push between the contrast of thick and thin strokes is the defining characteristic of this style, as well as the lean toward geometric form with more circular rounded sides and more vertical stems.
1740 in Saluzzo, Piedmont, Italy, died 30.
Luckily the typographer’s technical and bibliographical heritage, held in wooden cases, was miraculously preserved. typehead home Although the idea of creating a national centre of graphic art studies in Parma, dedicated to the typographer from Saluzzo, had already been muted in May 1940 on the 200th anniversary of Bodoni’s birthday, the idea had no time to mature because Italy entered the war on 10 June 1940. Bodoni can be seen The Museum co-founded the Associazione Italiana dei Musei della Stampa e della Carta (A.I.M.S.C.)
1758–66: typesetter in the Vatican’s Propaganda Fide printing works. Bodoni is often used for fashion industries, such as Vogue Magazine, because of it’s class with a modern twist.
Once the reconstruction was completed and the civil, political, social and economic life of the post-war city re-established, in 1957 the Bodoni Museum project was relaunched: the Comitato Promotore was founded for the purpose of pursuing the initiative. Because I did my last “good typeface” post on Baskerville, I thought it only acceptable to my next on Bodoni.
are many modern versions of them. AEPM – Association of European Printing Museums, You may also wish to visit: significant than their differences. Maybe later on I will get into all Home > Museo > History ; 1940. It is simple enough to work for many things, but stylistic enough to make an impression. History.
Biblioteca Bodoni After two decades of great vitality and prosperity as a promoter of studies, research, competitions, exhibitions and other cultural events of international prominence, the Museum experienced hard times as a result of repeated closures following the earthquake in 1983 and scarce financing. In 1999 the phase of relaunch was initiated with a new statute approved by the Ministry of Cultural Heritage and Activities and the renewed Board of Directors. The foundation came to life on 16 July 1960 benefiting from the economic, cultural and political efforts of the city and beyond. google_ad_height = 125; He was also worked as type-designer, compositor, publisher and printer. the different versions. Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time.
history 1944. google_ad_client = "pub-4476011727920159"; ", *** google_color_bg = "FFFFFF"; Although the idea of creating a national centre of graphic art studies in Parma, dedicated to the typographer from Saluzzo, had already been muted in May 1940 on the 200th anniversary of Bodoni’s birthday, the idea had no time to mature because Italy entered the war on 10 June 1940.
Type Designer {{designer.name}} Lanston Type Co. Lanston Type Co. (LTC) has its roots all the way back to the original Lanston Monotype Company of 1887 founded by Tolbert Lanston, when he invented the Monotype casting machine.
It was used in many italian books and publications of the time, and continued to be used throughout history. The museum’s overall interior design, as well as a copy of Bodoni’s bronze bust (after the original by Giambattista Comolli) were entrusted to the sculptor Carlo Corvi (1904-1978). A Brief History Giambattista Bodoni is known for creating one of the first “modern serif” typefaces.
The structure of Bodoni Museum Foundation, The Bodoni Museum is a member of google_color_border = "FFFFFF"; That is the beauty of Bodoni.
Bodoni But he seems to have been relatively indifferent to the
Lady Gaga and Nirvana have used it in album covers in a very fitting way. google_alternate_color = "ffffFF"; Bodoni designed several typefaces, and th e re are many modern versions of them. Here we have a modern serif typeface designed by an italian man named Giambattista Bodoni in 1798. Bodoni was inspired under the ideas of John Baskerville when he designed his namesake typeface. Change ), You are commenting using your Twitter account.
hideousness of the Bodoni letter, the most illegible type that was ever cut, with its preposterous thicks and thins, has been mostly relegated He produced the best of what are known as modern //-->, navigation However, it is also popular in the music industry. 11. This typeface quickly followed Baskerville and it’s modifications moved it’s type style to a new era: modern. daybook search In 2004, at the invitation of the Gutenberg Museum of Mainz, the Bodoni Museum adhered to the Association of European Printing Museum (A.E.P.M.). was meticulous in the design and print quality of his publications, Generally, however, their similarities are more significant than their differences. ( Log Out /
produced under the patronage of sitemap In 2012 the Museum joined the Province of Parma Museum System (Regional Government Decision N.° 268 of 10/05/2012). 2. The style grew as the demand for more geometric and modern type did, so that is how Bodoni evolved to where it is today. Giambattista Bodoni (/ b ə ˈ d oʊ n i /, Italian: [dʒambatˈtista boˈdoːni]; 26 February 1740 in Saluzzo – 30 November 1813 in Parma) was an Italian typographer, type-designer, compositor, printer, and publisher in Parma.. quotes. text, as his beautiful editions are marred by numerous typos. google_ad_format = "125x125_as"; ( Log Out / Change ), You are commenting using your Google account. It has many different feels to it based on how you look at it. google_ad_width = 125; Change ), You are commenting using your Facebook account. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Designer/History. AIMSC – Associazione Italiana Musei della Stampa e della Carta Bodoni was inspired under the ideas of John Baskerville when he designed his namesake typeface.
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