The A-side is noteworthy for its pioneering use of the Mellotron, which Bond also played on several tracks on their second LP There's A Bond Between Us (November 1965); the album also included studio versions of the two aforementioned instrumentals. 4 (Album) 4 versions : BYG Records: 529.904: France: 1972: Sell This Version Artists I've Discovered Through RYM, Rock bands that lack an electric guitarist, The 100 Greatest Artists of the British Invasion, Then, Now and Rare British Beat 1960-1969 (A-K). Find album reviews, stream songs, credits and award information for Solid Bond - Graham Bond, Graham Bond Organisation on AllMusic - 1970 - This rather odd double LP is a patchy, yet good… II / So-Ho, Rock Generation Volume 3 - Sonny Boy Williamson's Visit To England 1963 + Graham Bond - Or The Beginning Of Jazz-Rock, The Sound Of 65 / There's A Bond Between Us, Soft Machine & Graham Bond Organisation: Roots of British Beat Rare Items, Rock Generation Volume 4 - Graham Bond Organisation + Sonny Boy Williamson & The Animals, Wade In The Water (Classics, Origins & Oddities), Imaginary Record Collection (Artists and Releases to keep in Mind), UK Prog Psych Rock,Folk Rock,Blues Rock,Jazz Rock. At the start of the British rhythm and blues boom the Graham Bond Organisation earned a reputation for playing aggressive R & B with prominent jazz and blues. [5] Bond left for the USA, releasing two albums there in 1969 with well-known session players. Bond was the primary songwriter but encouraged the other musicians to contribute material, including Dick Heckstall-Smith's "Dick's Instrumental" and Ginger Baker's "Camels and Elephants", in which the drummer explored ideas he eventually developed into his signature piece "Toad". He subsequently signed a contract with Vertigo Records and was reportedly off drugs by this time, although he was becoming increasingly obsessed with black magic. Graham Bond + Jack Bruce + Ginger Baker + Dick Heckstall-Smith: Graham Bond + Jack Bruce + Ginger Baker + Dick Heckstall-Smith - Faces And Places Vol. The first commercial recording by the original lineup of the Graham Bond Organisation was released under the name of singer Winston G. (real name Winston Gork). group), recorded on 4 January 1965 at Olympic Sound Studios, London (EMI Columbia DB 7471, 29 January 1965). The band was billed as 'the Who Orchestra' for this release and the track was written by Baker. The British English spelled as "Organisation" or "ORGANisation" (Bond's original plan), while in some other countries outside the UK spelled "Organization". On 7 August 1965 they played at the Richmond-on-Thames Jazz and Blues Festival which was televised on the Shindig TV show.[4]. GBO, The Graham Bond Organisation, The Graham Bond Quartet, The Who Orchestra, At the Beginning (Live at Klook's Kleek, October 1964), Hi-Heel Sneakers / Hoochie Coochie Man / Little Girl / Long Legged Baby / Strut Around, Tell Me (I'm Gonna Love Again) / Love Come Shining Through, Lease on Love / My Heart's in Little Pieces, You’ve Gotta Have Love / Babe, I Love You, A Drummer's Tale: A Definitive Collection of Favourite Recordings and Greatest Hits, The Sound of 65 / There's a Bond Between Us, Wade in the Water: Classics, Origins & Oddities, The In Crowd (The Ultimate Mod Collection From the Original Style Movement 1958-67), Piccadilly Sunshine Part Nine (British Pop Psych and Other Flavours 1964-1970), A Slight Disturbance in My Mind: the British Proto-Psychedelic Sounds of 1966, Crawling Up a Hill: A Journey Through the British Blues Boom 1966-71, Where Have You Been All My Life? Bond was the primary songwriter but encouraged the other musicians to contribute material, including Dick Heckstall-Smith's "Dick's Instrumental" and Ginger Baker's "Camels and Elephants", in which the drummer explored ideas he eventually developed into his signature piece "Toad". In early 1965 both Winston and the Graham Bond Organisation were part of Stigwood-promoted UK package tour headlined by Chuck Berry (on which Stigwood incurred heavy losses). Shop for Vinyl, CDs and more from The Graham Bond Organization at the Discogs Marketplace. The band's fourth 45 featured the single-only tracks "Lease on Love" / "My Heart's in Little Pieces" (July 1965). The Graham Bond Organization discography and songs: Music profile for The Graham Bond Organization, formed 1963. Arr.) In 1965 the band appeared as themselves in the film Gonks Go Beat, where they played two songs including "Harmonica". [5] Hiseman and Heckstall-Smith would leave to join John Mayall & the Bluesbreakers for Bare Wires (recorded April 1968)[6] before forming Colosseum in the summer of 1968, with Tony Reeves on bass and Dave Greenslade keyboards. Album Highlights. Another sideman was Mike Falana on trumpet.[5]. They recorded several albums and further recordings were issued when the group's members achieved fame in progressive rock and jazz fusion. Find Graham Bond Organisation discography, albums and singles on AllMusic [1] The band signed for Decca Records who released their dynamic version of the Don Covay composition "Long Tall Shorty" in 1964, backed with "Long Legged Girl" ("Long Tall Shorty" had been popularised by US singer/organist Tommy Tucker). Genres: British Blues, Mod, British Rhythm & Blues. Graham Bond Organisatio … The Sound of 65. Jack Bruce's harmonica-driven version of Peter Chatman's "Train Time" woul… with the Graham Bond Organisation ”Early In The Morning” (Trad. The group recorded "St. James' Infirmary" without Bruce on 10 January 1966, which was released in the United States on the Ascot label and received indifferently. Graham Bond reunited with his former bandmates in the early 1970s, playing with Ginger Baker's Air Force and also spending a short time touring with Jack Bruce's band. (lying down) Baker, "Obscure Bands Of The 50s & 60s: Winston G & The Wicked", "National Jazz and Blues festival Graham Bond Organisation", "John Mayall's Bluesbreakers* - Bare Wires", https://en.wikipedia.org/w/index.php?title=The_Graham_Bond_Organisation&oldid=984524279, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 October 2020, at 15:06. The double album Solid Bond, released by Warner Bros. Records in 1970, compiled live tracks recorded in 1963 by the Graham Bond Quartet (Bond, McLaughlin, Bruce and Baker) and a studio session from 1966 by the final trio version of the Graham Bond Organisation (Bond, Heckstall-Smith and Hiseman). The single and the album tracks are believed to be the first 'popular' recordings to feature the instrument, since "Lease on Love" appeared more than a year before the first UK chart hit to feature a Mellotron—Manfred Mann's "Semi-Detached Suburban Mr. James" (October 1966)[2]—and at least 18 months before The Beatles made the Mellotron world-famous with "Strawberry Fields Forever" (January 1967). Art.2LPg/f“Rhythm & Blues”Decca DS 3103/1-2GER 00.70 “Hi Heel Sneakers” (Robert Higgenbotham), ”Long Legged Baby” (Graham Bond), ”Hoochie Coochie Man” (Willie Dixon), “Little Girl" (Graham Bond), ”Strut Around” (Graham Bond) and ”Wade In The Water” (Trad. The band gained minor attention after their 'Waltz For a Pig' (originally titled 'Ode to a Toad') was issued as the B-side of the Who's 1966 single 'Substitute', which reached number 5 on the UK Singles Chart. Var. Their best-known single, and the second released under their own name, was "Tammy" (Jay Livingston/Ray Evans) / "Wade in the Water" (trad. The track also appeared on their debut album The Sound of 65 (EMI Columbia, March 1965). Since they shared management, the Graham Bond Organisation backed Winston on the Parlophone single "Please Don't Say" / "Like A Baby"; the A-side was credited "Arrangement directed by Graham Bond" and the B-side "Arrangement directed by Ginger Baker". The Graham Bond Organisation (GBO) were a British jazz/rhythm and blues group of the early 1960s consisting of Graham Bond (vocals, keyboards, alto-saxophone), Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith (tenor/soprano saxophone) and John McLaughlin (guitar). The spelling of the band's original name varied between releases, often depending on the intended audience. At the start of the British rhythm and blues boom the Graham Bond Organisation earned a reputation for playing aggressive R & B with prominent jazz and blues. Albums include The Sound of 65, There's a Bond Between Us, and At the Beginning (Live at Klook's Kleek, October 1964). As a trio, Bond, Heckstall-Smith and Hiseman recorded the single "You’ve Gotta Have Love Babe" / "I Love You" (both by Graham Bond) on 18 January 1967 for Page One records. The Graham Bond Organisation's lack of commercial success, internal struggles and drug problems brought the band to an end in 1967, but its importance was soon recognised with the vogue for blues and progressive rock and the increased sales of albums. The group was plagued with problems because of substance abuse and Baker's ongoing feud with Bruce. Swing-A-Ling Pt. Jack Bruce's harmonica-driven version of Peter Chatman's "Train Time" would become a staple in Cream's live performances. Retrospectives of Cream indicate that Bond deputised Baker to fire Bruce, who joined Manfred Mann for a short time until July 1966 when Baker formed Cream with Bruce and Eric Clapton. (left to right) Heckstall-Smith, Bruce, Bond. [3] The tracks recorded for the second album were also the last cut by the original Graham Bond Organisation lineup before Jack Bruce was fired in August 1965. arr. Arr.) Bond died in May 1974, when he was hit by a train at London's Finsbury Park underground station. Explore releases from The Graham Bond Organization at Discogs. Bond reformed the Organisation with Jon Hiseman on drums. I / Swing-A-Ling Pt. A protégé of expatriate Australian impresario Robert Stigwood, Winston had launched his career under the pseudonym "Johnny Apollo".

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