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October 22, 2020#

keith relf wife

Together [was] a bit wishy-washy in a way, thinking back on it.”, According to Samwell-Smith, “As the Yardbirds we always seemed to be searching for that indication of success that was a successful single, or radio hit. Designed by myThem.es. “Henry’s Coming Home”-Together (Relf on vocals, McCarty on percussion).

She later joined Illusion and made several records in the 1970's which got into the US and UK music charts, but I have no recent information about her. Age 33 years (age at death) old. He is most remembered for The Yardbirds. Their sole release, the single “Henry’s Coming Home/Love Mum and Dad,” had a West Coast harmony folk-rock-pop feel unlike anything the Yardbirds had issued, and was heard by hardly anyone upon its release. “He was very gentle, but he had a sort of heavy side to him as well. “As I mention in the liner notes, there’s a meditative quality to his home recordings. A professed Anglophile, Lisa has English, Irish, Scottish, German and a "healthy sampling of Cherokee and Comanche" in her ancestry; I don't suppose many of us can prove ancestry, as Lisa can, back to a Comanche chief.

Almost 45 years after his death, Repertoire Records’ new compilation, All the Falling Angels, fills in much of the missing picture.

From The Wolfpack - Volume 11 Edition 2 April 2002. Who would you think was the most famous RELF? He wasn’t just messing around.” – Jim McCarty. It was very authentic, what he did. It was quite a nice song, but it was a little bit too weak to make an impact. A 90-minute set in front of a Friday night crowd in a dance hall in Croydon didn’t allow for an introspective folksy interval. “Absolutely. This left just Keith Relf and Jim McCarty - founder members of The Yardbirds. Asked in 2020 to account for how the folkier sides of his ex-bandmate emerged, Jim speculates, “I guess they were a relief of the sort of heavy, rocking stuff.

Mick Green said that he heard a Dr. Feelgood song on the radio and mistook it for a Johnny Kidd and The Pirates track.

September 15, 1974; Moody Coliseum, Dallas, Texas.

Based in Los Angeles, California, where they were joined by American drummer Bobby Caldwell, they only made one album - which reached No. Digging even deeper, about half the material is previously unreleased, including solo demos going back to Relf’s Yardbirds days. “I think Keith was one of the most underrated vocalists of the era,” in Stax’s estimation. Suffering from a collapsed lung, he couldn’t summon the power of a Robert Plant or Rod Stewart, to name two singers ex-Yardbirds guitarists worked with shortly after leaving the group. Though the guitarists for The Yardbirds got all the ink, the band’s other three members—bassist Paul Samwell-Smith, drummer Jim McCarty and vocalist Keith Relf—stood on equal footing with Clapton, Page and Beck. He was probably too messed up in his life, or too depressed about his life. Even before Together, Relf tested the waters outside of the Yardbirds with a couple 1966 solo singles, three tracks from which are on All the Falling Angels. This pair formed the aptly named "Together" - a folk duo. Even in the two years after Samwell-Smith left the Yardbirds, to be replaced by Jimmy Page (who soon moved from bass to lead guitar), that folky, spiritual bent poked through from time to time on their erratic post-’66 recordings. to add information, pictures and relationships, join in discussions and get credit for your contributions. It was very authentic, what he did. From The Wolfpack - Volume 11 Edition 2 April 2002. To most rock fans, Relf seemed to vanish from view in the first half of the ‘70s, re-emerging as lead singer for Armageddon’s sole and self-titled LP in 1975. In October, I received an email from Lisa Brooke who runs a website devoted to The Yardbirds. From my records, it seems probable that William Arthur P Relf was the only child of Percy Henry Relf who was born 3 April 1889 and whose death was also registered in the Hounslow area in April 1988. “We did have other things, but I don’t know if [Keith] was that inspired to do it. I suppose it would have gone on the Together album if we’d have done it.”, Adds McCarty, “We found it a lot of fun to work in Together. Keith Relf Electric Funeral. In a way, it was a different, less blues-hard-rock-slanted offshoot of the Yardbirds than their guitar heroes had done in Cream, the Jeff Beck Group, and Led Zeppelin. I had quite a few of these in my collection already, but Coskun Cicek, a big Yardbirds collector in Australia, kindly made me copies of everything he had. “Just Think What You’re Achieving” is a relatively jaunty, if minor-melody-tinged, acoustic folk-rock tune, and the aforementioned “All the Falling Angels” (co-written) a relatively finished production that almost sounds like a requiem for Relf’s premature death.

Actually, he did keep busy producing other acts, even if only one of them, Medicine Head (with whom he also played bass for a while), made much of a commercial dent, and then only in the UK.

Since his death was not registered until the September quarter, it may be that he died in the USA - or his registration may have been delayed by the Inquest. Well, much depends on how you define "most famous" of course, but it may surprise some of you to know that there is only one RELF in the Encyclopaedia Britanica - Keith Relf! I recall John Hawken, in particular, being terrific. The Naked City has yielded many fine fine musical jewels but few glister so brightly as Von Lmo, Red Transistor etc. Fidelity-wise, they’re not up to what would have been considered releasable in the late 1960s and 1970s, and sometimes the sound quality is actually pretty rough or rudimentary. We used to link up on the gentle side and the spiritual things. “His thing was to have all the playback set up, so when you walked in the room there’d be a mike and you’d say hi, and it would repeat on you like you were in some sort of weird ghost room or something,” recalls McCarty. Somebody suggested to us, ‘It’s very good, but you really need a band to go and play all this stuff, and get other people to put in their ideas.’ Which of course happened with Renaissance.

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