This disturbed Britten, but Ghedini's opera gained little notice. It now returns with three impressed sailors, among them Billy Budd, an open-hearted, good-natured young man. Dezember 1951 uraufgeführt. One of these sailors, Billy Budd, seems overjoyed with his situation – entirely different from the other two, Joseph Higgins and Arthur Jones, who are not so happy. [n 1] Britten changed some of the structural balance from the contrasting Acts 3 and 4. Dieser ist mit seinem Los zufrieden, während die beiden anderen protestieren. März 1952 am Hessischen Staatstheater Wiesbaden statt. [1] Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Der alte Seemann schleicht sich zu ihm und berichtet, welche Empörung das Urteil ausgelöst habe und von der Absicht der Mannschaft, den Vollzug des Urteils zu verhindern. The editors of, Letter dated 5 August 1960, quoted in Britten (2010): p. 253, Liner notes for Decca/BBC DVD of 1966 broadcast, Mini-feature of the 2010 Glyndebourne production of, "Glyndebourne 2013: Billy Budd - 'I was lost on the infinite sea, "Britten's Opera Hailed in London; Composer Conducts Premiere of, "Britten and EM Forster: A meeting of minds on the high seas", "Sea-changes: Melville–Forster–Britten: The Story of, "Britten: Billy Budd, Shicoff/ Skovhus/ Halfvarson/ Vienna State Opera/ Runnicles", "Sailor Fighting the Undertow of Repression", "Billy Budd - review, Glyndebourne, Lewes", "World-class opera grows tall and proud in the Corn Belt", "Classical review: Britten: Billy Budd, Gunn/Bostridge/Saks/LSO & Chorus/Harding", Britten-Pears Foundation page on the opera, 2001 Vienna State Opera video of the original four-act version of, Covent Garden Opera, London: New Productions 1947-1964, Opera Annals blog, 11 August 2018, The Young Person's Guide to the Orchestra, Diversions for Piano Left Hand and Orchestra, Benjamin Britten: A Life in the Twentieth Century, Laurence Olivier Award for Best New Opera Production, https://en.wikipedia.org/w/index.php?title=Billy_Budd_(opera)&oldid=980307562, Opera world premieres at the Royal Opera House, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Brian Ettridge, Kenneth Nash, Peter Spencer, Colin Waller, Darian Angardi, Bruce Webb, David Sellar, Raymond Hatch, This page was last edited on 25 September 2020, at 19:27. He reflects on the conflict between good and evil, he is tormented by guilt over the case of Billy Budd on board his ship, HMS Indomitable, some years earlier. Die Mannschaft steht zu Billy, sodass der Profoss Squeak verhaften lässt, innerlich jedoch Billy noch mehr hasst. Der an zwei Kanonen gekettete Billy erwartet den Tag seiner Hinrichtung. Claggart, the Master-at-Arms, calls him "a find in a thousand", despite having a stammer. 50, is an opera by Benjamin Britten to a libretto by the English novelist E. M. Forster and Eric Crozier, based on the short novel Billy Budd by Herman Melville. Der alte Kapitän Vere, einst Kommandant des Kriegsschiffs HMS Indomitable im englisch-französischen Seekrieg, denkt an seinen ehemaligen Untergebenen Billy Budd. [4] In 1948, Britten and Forster discussed whether Forster might write an opera libretto. When Britten conducted the opera's premiere, in its original form of four acts, the performance received 15 curtain calls. Unter der Leitung Brittens und in der Inszenierung von Basil Coleman sang damals Peter Pears, Partner von Britten, die Rolle des Kapitäns Vere, die er auch auf einer Platteneinspielung verkörpert hat. According to Uppman, Pears had never felt at ease with this scene, since it required a heroic style of singing which he felt he did not naturally possess. Billy Budd, Op. Claggart asks to see Vere, and after being granted access, begins to tell Vere about danger of mutiny led by one of the crew. Er hält Billy für einen ehrlichen Jungen und guten Seemann. The meeting between Captain Vere and Billy Budd is represented by 34 orchestral block chords, with no words. Benjamin Brittens großer Durchbruch als Komponist gelang ihm 1945 mit seiner Oper Peter Grimes. Vere muss das Kriegsgericht einberufen, er selbst fungiert als Zeuge. Als Vorlage diente die Erzählung Billy Budd von Herman Melville. [19] Glyndebourne Festival Opera first staged the opera in 2010, in the operatic directorial debut of Michael Grandage,[20] A production revived in 2013. Vere, as an old man, remembers Billy's burial at sea, and acknowledges that he could have saved Billy, but failed to do so, thinking that Billy has instead blessed and saved him. Dort wurde es am 1. Britten later revised the work into a two-act opera, with a prologue and an epilogue. At this point in the four-act version, the climax of Act I features Captain Vere on deck to give a speech to the men. Billy, der vom alten Seemann Dansker vor dem hinterhältigen Schiffsprofoss gewarnt wird, glaubt sich von allen geliebt. Claggarts Verdächtigungen gegen Billy Budd haben beim Leutnant und Segelmeister gewirkt, doch Vere widerspricht ihnen. 5 Dinge, die man über Billy Budd wissen sollte. Billy prepares for his execution in his cell. In englischer Sprache mit deutschen und englischen Übertiteln. [18], The Metropolitan Opera first staged Billy Budd in 1978. Ein Boot kommt längsseits, Leutnant Ratcliffe hat an Bord des Handelsfrachters Rights of Man drei Matrosen zwangsrekrutiert, darunter Billy Budd. Nach der erfolgreichen Produktion von PETER GRIMES im Januar 2013, ebenfalls von Regisseur David Alden und Bühnenbildner Paul Steinberg, kommt mit BILLY BUDD erneut eine bildmächtige und musikalisch hochkomplexe Oper von Benjamin Britten auf die Bühne der Deutschen Oper Berlin.

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